
Profane and unrepentant, Snow cuts cocaine with his son by his side while, positing criminality as a genetic trait, reminiscing about how he inherited his career from his father.

Frequently scored to hip-hop heard through car speakers, Bluff‘s portrait of street life has a grungy off-the-cuff realism that’s only compromised by some obviously staged incidents, which include the aforementioned stickups and moments in which friends make direct mention of the omnipresent camera. From jarring videotape edits to unprocessed audio, Russell’s film has a convincingly rugged home-movie quality and a narrative to match, as Snow parties and provides for his baby mama and young son by selling drugs and robbing competitors at gunpoint. Antonio James Snow - Shot three times by an unknown person, mentioned, happened.
#SNOW ON THA BLUFF SEQUEL MOVIE#
Mealeys (July 13, 2016, 2:27 PM EDT) - LOS ANGELES A California federal judge on July 11 awarded a movie production company that asserted causes of action for copyright infringement and violation of Californias unfair competition law (UCL) 1,885,969.96 in. Frank - Stabbed to death off-screen by either White Hat or one of his associates on his orders. Judge Awards Production Company 1.8 Million For Improper Use Of Movie Name.

It was directed by Damon Russel and produced by Chris Knittel. Synthesizing fact and fiction, Snow on tha Bluff details the day-to-day misadventures of fast-talking dope-slinger Curtis Snow, a ne’er-do-well who opens Damon Russell’s docudrama by stealing a camcorder from college kids and proceeding to record his life in Atlanta’s notorious the Bluff neighborhood. Snow on Tha Bluff is a 2011 fictional drama/documentary.
